In the 19th-century, during her lifetime Rosa Bonheur was one of the most famous artists in all of Europe and North America. Required to obtain a cross-dressing permit in order to venture into the world of men — for the sake of her art — she took that world by storm! […]
As the world slowly, tentatively, begins to emerge from lockdown, people are wondering what the new social order will look like. Most of us accept that things will be different for some time to come. The question is, “How different?” […]
There is perhaps no more serene space in New York City than the Noguchi Museum and Garden in Queens. Profoundly influenced by Brancusi, Isamu Noguchi blended modernism and abstraction with Japanese traditions to create a powerful aesthetic of simplicity. […]
Once a cheese factory, now an of-the-moment art, performance, and culinary space, a brand-new Crystal Bridges contemporary arts spin-off venue, champions the role of the arts in everyday life today. […]
Raising the bar, the new Norton Museum of Art is interpreting its 21st-century role in ways that go beyond the need for greater collection and exhibition diversity. […]
The Morse is world-renowned for its comprehensive collection of works by the American artist and designer, Louis Comfort Tiffany, revealing that his creative talent and the output of his workshop soared well beyond jewel-like lamps and leaded glass windows. […]
A spectacular collection of Native American art is on long-term view at New York’s Metropolitan Museum. We couldn’t ask for more in an exhibition, for the purely aesthetic pleasure these objects give, for gaining a fuller understanding of their cultural significance, and for seeing indigenous art in the context of American art history. […]
The names of two men — both sons of considerable wealth, born in the 1870s, and both culturally- and creatively-inclined — were widely recognized in the early years of the 20th century. Their celebrity was well-deserved at the time — and deserves to live on. Sergei Diaghilev (1872 – 1929) was a Russian art critic, […]
His nickname translates to either “Squinty” or “Cross-Eyed” but in spite of his in-turned eye – or perhaps because of it – Guercino is regarded as one of the greatest Italian draftsmen of the 17th century. […]
There is a global trend among modern and contemporary museums to make the display of their collections more dynamic and to explore new concepts of audience engagement. The new MOMA demonstrates a commitment to lead the way. Time will tell how audiences will react. […]