Art in Context: Peter Paul Rubens’ Altarpiece, The Descent From the Cross

It is a testament to Rubens’ extraordinary skill that he could convey such tenderness and devotion without any hint of sentimentality. The Descent from the Cross shows the artist moving away from his exuberant Baroque compositions to a more Classical approach. […]

Art in Context: Peter Paul Rubens’ Altarpiece, The Raising of the Cross

With this sensational painting, Rubens introduced the Baroque into Northern European art. In composition, iconography and size (15’ x 20’) it is resplendent with the artistic ideals of the Counter-Reformation. Imagine the effect this must have had when it was unveiled in 1610! […]

Eye to I: Self Portraits from the National Portrait Gallery

Elaine de Kooning Self-Portrait. Oil on Masonite (1946). National Portrait Gallery, Smithsonian Institution

The term “self-conscious” takes on a particular meaning in the era of social media, with millions of off-the-cuff selfies posted every day. The 60 indelible self-portraits in this exhibition show us that to paint or draw ones self-portrait requires self-consciousness of quite a different sort. […]

The Sacred Stained Glass of Louis Comfort Tiffany

Glittering exhibition focuses on the design and production of Tiffany’s ecclesiastical window commissions, and explores these works in the context of both the art and social history of the period. At the heart of the exhibition are eleven outstanding, religiously themed windows made between 1880 and 1925 that demonstrate the signature designs, working methods, techniques, and production styles of Tiffany and his workshops. […]