For 30 years Patrick Dougherty’s enchanting Stickwork sculptures have been sprouting up at museums, botanical gardens, and public spaces around the world. Amazing what you can do with 30,000 pounds of willow! Until recently I’d never seen one, but whenever I’ve read about a Dougherty Stickwork I’ve been tantalized. So it was a delight to […]
Surrounded by the highest choir of angels, this portrait of King Charles VII’s favorite mistress was commissioned by the King’s treasurer for his wife’s mortuary altar. […]
In the 19th-century, during her lifetime Rosa Bonheur was one of the most famous artists in all of Europe and North America. Required to obtain a cross-dressing permit in order to venture into the world of men — for the sake of her art — she took that world by storm! […]
All the learning about composition, color, brushwork builds in an intuitive way. Sometimes you have to paint over something that you love — a beautiful color, passage, image — in order for the painting to continue to unfold. […]
As the world slowly, tentatively, begins to emerge from lockdown, people are wondering what the new social order will look like. Most of us accept that things will be different for some time to come. The question is, “How different?” […]
The collection of the Hispanic Society of America reveals the history of Spain and its place in the world, from antiquity to modern times. Unrivaled outside Spain, the scope and quality of the collection is hard to believe, considering that it was largely amassed by a single inspired collector. […]
For people who lived (and died) in the 14th century — when the Great Plague (aka the Black Death, the Great Mortality) killed roughly half the world’s population — a truly horrible death was not hard to envision. It’s almost impossible for most of us, today, to understand the constant presence of death that was the reality of life for everyone until very recent times. […]
There is perhaps no more serene space in New York City than the Noguchi Museum and Garden in Queens. Profoundly influenced by Brancusi, Isamu Noguchi blended modernism and abstraction with Japanese traditions to create a powerful aesthetic of simplicity. […]
It is a testament to Rubens’ extraordinary skill that he could convey such tenderness and devotion without any hint of sentimentality. The Descent from the Cross shows the artist moving away from his exuberant Baroque compositions to a more Classical approach. […]
With this sensational painting, Rubens introduced the Baroque into Northern European art. In composition, iconography and size (15’ x 20’) it is resplendent with the artistic ideals of the Counter-Reformation. Imagine the effect this must have had when it was unveiled in 1610! […]